The RF 24-105mm F4 L IS USM ($1,299) is a midrange option, with a dimmer f-stop and shorter zoom range than the premium RF 24-70mm F2.8 L IS USM ($2,299) and RF 28-70mm F2 L USM, but notably

Sigma 16mm f1.4 DC DN review; Canon RF 24-105mm f4L IS USM review so far; Canon RF 50mm f1.2L USM review; Canon EF-M 11-22mm review so far; Canon EF-M 22mm f2 review so far; Canon EF 24-105mm STM review so far; Canon EF-S 18-135mm IS USM review-so-far; Canon EF-S 10-18mm IS STM review-so-far; Tamron 70-200mm f2.8 VC G2 review; Canon EF 11-24mm
As an alternative, New York-based Lindsay Adler uses her Canon EF 24-105mm f/4L IS II USM lens in the studio for its versatility, but “not for tight beauty [shots].” The Pro’s Zoom – The 70-200 f/2.8. Traditionally the 85mm was the lens of choice for portraiture.
Competing in the ring of ultimate portrait primes, Sigma’s latest Art lens is up against pro-grade favourites, including the Canon EF 85mm f/1.4L IS USM, Nikon AF-S 105mm f/1.4E ED and Sony FE 85mm f/1.4 G Master. The Sigma overshadows them all, if only in physical size and weight: it’s heavier than most 70-200mm f/2.8 telephoto zooms.
The 24-105mm F4 DG OS HSM Art is a relatively wide-range standard zoom for full frame SLRs, and part of Sigma's line of high quality 'Art' lenses. It offers a useful wideangle to moderate telephoto zoom range, and includes a Hypersonic Motor for fast, silent focus. Optical Stabilisation is also available to combat camera shake.

The Canon 24-105mm f/4L has great optics and works extremely well. My biggest whine is that the zoom ring takes a lot of effort and that the wide end of the zoom range is cramped, making it difficult to set wide focal lengths precisely.

Canon EOS 90D Canon EF 70-200mm F4L IS USM Canon EF 40mm f/2.8 STM Sigma 17-70mm F2.8-4 DC Macro OS HSM | C Canon EF-S 24mm F2.8 STM Reply Reply with quote Reply to thread Complain
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    • canon ef 24 105mm f 4 review